HDTS Archive 2002–2022
☀️ Programs Search People Sites Memories About HDTS Archive 2002–2022
...
Programs
🡢
Biennials
🡢
HDTS 2013

Double Happiness or Nothing (A Study in Potentials)

00dhorn-final-embedded-005-1200x-q100

Stosh Fila/Pigpen

Julie Tolentino

DOUBLE HAPPINESS OR NOTHING takes place midway between the two points of this festival’s boundaries of Joshua Tree, California and Albuquerque, New Mexico, in the town of NOTHING, Arizona. DHoN captures, on digital film, the “incredible yet ordinary” lives of two, not-as-well-known-these-days, aging yet iconic super heros: Superman and Batman played by myself and Stosh Fila, as a duet team. The aging duo traverses NOTHING (also called Nowhere, AZ), a ghost town, recognizing that there truly is nothing to save (nor to rescue, nor to inspire) - except perhaps themselves and each other.

This photographic journey, shot prior to the festival launch, explores a modern-day aging superhero’s daily practice: jumping jacks, muscle building, dance routines, out-of-circulation self-help journals interspersed with grappling with their obsession with the inspiring blog, SuperValentThought.com, by queer cultural critic, Lauren Berlant. Double Happiness or Nothing combines fantasy autobiography, popular iconography and vulnerability with and through objects and our gendered, queer and aging bodies. The Heroes’ (dulling) superpowers and attempts at further greatness are poignant in this in-between, conjuring the Lost, Forgotten, and the Unsung. We witness the comrades’ efforts to ignite the burgeoning flames of discovery, world-building, and the-ever-elusive great reach of hope.

Double Happiness or Nothing explores a psycho-sexual/psycho-social narrative of the disparities of aging, change and potentiality in an iconic yet precarious desert landscape in three forms:

The first object is a hardcover book (edition of 2) documenting a duo’s performance and process which will be kept by a shopkeeper in Joshua Tree and Albuquerque - to be discovered by viewers who inquire….as a symbol of the myth of this journey.

A single representative image from this book has been developed into a large format photograph (edition of 2) - also held by shopkeeper behind the register or in a closet somewhere.

The final object is a flag. Using an image of the duo, we will silkscreen onto biodegradable cloths connected to stakes resulting in multiple flags along the route. The images utilizing the wind and the flags point to movement and ephemerality championed in my rigorous, endurance-based physical practice. Additionally, these flags represent the recording of a performance and it’s ultimate disintegration and fading over time, affected by and within the elements. These will be staked along the route to be seen, or missed.

Programs
🡢
Biennials
🡢
HDTS 2013

OCTOBER 12, 2013 - OCTOBER 19, 2013

High Desert Test Sites hits the road for a full week of experimental art and exploration, from Joshua Tree to Albuquerque!

HDTS 2013, the ninth program in a series of free ranging and ever evolving contemporary art events, expands our range and depth to take in everything from Joshua Tree, California to Albuquerque, New Mexico. Roughly 60 new projects will take place over an entire week, during which artists and audience alike will traverse over 700 miles of desert roads to check out the new work and explore the hidden gems and diverse desert communities along this spectacular stretch of the Southwest.

Project sites include: Amboy Crater, Arcosanti, Area 66 (Yucca), Art Queen (Joshua Tree), Bluewater Lake State Park, El Malpais National Monument, El Rancho Hotel (Gallup), Giant Rock (Landers), Hill Top Motel (Kingman), Magdalena Ridge Observatory (Socorro), Mill Restaurant (Crown King), Montessa Park (Albuquerque), Palms Restaurant and Saloon (Wonder Valley), Petrified Forest National Park, Octopus Car Wash (Albuquerque), Pink Post Office Projects (Wonder Valley), Tamarind Institute (Albuquerque), Warehouse 1-10 (Magdalena), in addition to our regular HDTS sites.

The week’s festivities include a Saturday night opening dinner (first-come-first-served) at The Palms in Wonder Valley October 12, with musical performances by The Sibleys and The Renderers.

A zine-style publication, designed by Brad Hudson Thomas, with original texts by James Trainor and Eden Solas, will accompany the event.

Arizona Highways As Is
Virginia Poundstone
Desert Appliqué
Léa Donnan
Double Happiness or Nothing (A Study in Potentials)
Stosh Fila/Pigpen
Julie Tolentino
Fractal Business Card Road Trip
Tracy Tynan
Array
Dark:30
Car Wash
K.B. Jones
Myriam Tapp
Collaboratively Determined Telluric Sites
CDTS
Crosswalks
Elsewhere (Etc. Collective)
Documart™
Alex Kenefick
Julianna Parr
Googly Eyes for Giant Rock
Bettina Hubby
GWC, Investigators
Daniel Glendening
Michael Welsh
Sean Patrick Carney
Inflatable Bomb Plumes
Lisa Sitko
Magnetic Influence
Marie Lorenz
Roxanne Bartlett
Mojave Desert Mule Deer Refuge
Brooks Dierdorff
Naima
Debbie Long
Pelican Radio
Jim Drain
Pink Post Office Projects
Margot Ittleson
Philip Ittleson
Roadside Monument 3
Cayetano Ferrer
Secret Restaurant
Bob Dornberger
Jim Piatt
Self Storage
Lars Fisk
256 Shades of Grey
Kartz Ucci
Smooth Operator - American Tourism Viewing Deck Van
Kurt Brethauer
Souvenir Collab
Julia Barbee
Matt Suplee
Ways to Be in the Desert
Katie Bachler
We Build Excitement
Jesse Sugarmann
Wonder Valley Way Station
Corrina Peipon
Lucy Raven
Xeriscope
Art Queen
Next Punchline 30 Miles
Bennett Williamson
Samovar Tea Ceremony Performance
Harald Kanz
Sighting
Joey Jensen
Pascual Sisto
Desert Traces
Catherine Stebbins
Doomsday Créches
Maya Gurantz
Mall Ruin
Landon Wiggs
Even Steven
Olav Westphalen
Hotshots
Saskia Jorda
Victor Sidy
2556
korakrit arunanondchai
Fox, Come and Sleep in the Snow with the Tiger Leopard
Rose Mackey
Erin Olivia Weber
Plenty of Shit
Mattias Cantzler
Stratify
Katie Shook
Captured in the West
Pilar Conde
The Rose
Adam Marnie
Ed Steck
A New Horizon
Scott Oliver
Burial Grounds
Vecinos Artist Collective
Cover Songs
Michael Iauch
High Desert Mink Hole
Joseph Herring
The Distance Makes Us Feel Closer
Chris Kallmyer
The Journal of Missionary Linguistics
Alisha Adams
Untitled by Michael Bisbee
Michael Bisbee
Wonder Machine
Kera Mackenzie
Courtney Prokopas
Dusty Inflatables
Alex Webb
Catherine Harris
Nina Dubois
Tradewinds Signs Rally
Andrea Polli
Ellen Babcock
Objects of Strange High Folk
Mark X. Farina
This Desert, That Desert
Angela de la Agua
→