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HDTS 3 (2003)

Untitled by Virginia Poundstone

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Virginia Poundstone

I had visited the previous HDTS iteration and was engrossed by the voraciousness of the landscape. As an interloper, the landmarks of boulders, Joshua Trees, and homesteader cabins were indistinguishable; the irrational sensation of getting swallowed up seemed very real and it felt like the future.

Demarcated by a couple of street lamps (rented from a Hollywood prop shop) and Mylar flags (bought on the internet– which was a somewhat novel place to find art supplies, digital cameras weren’t even viable yet), the installation sprawled a hundred feet square. The lights were powered by a generator, which hid behind a large sage bush. In the day, it sparkled like an oasis from the main road. But the best, and most surprising, part about the work was what happened when the sun set and the winds picked up. The flags fluttered so aggressively that the sound of their flapping was further teleportive. It sounded like a very loud beach, but looked like a used car dealership had slid between fault lines.

—Virginia Poundstone

   
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Programs
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Biennials
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HDTS 3 (2003)

OCTOBER 25, 2003 - OCTOBER 26, 2003

Burn This Artwork
Roman Vasseur
CA Truck Heads
Sarah Vanderlip
Carport
Austin Thomas
Geographic Tongue
Kristin Beinner James
Noah Purifoy
Noah Purifoy
The End
Jacob Dyrenforth
The Grotto
Kathleen Johnson
Linda Taalman
The Projects
Dave Hopkins
Untitled by Jack Pierson
Jack Pierson
Untitled by Lisi Raskin
Lisi Raskin
Untitled by Virginia Poundstone
Virginia Poundstone
Videos Curated by John Connelly at The Palms
Delia R. Gonzalez
Billy Grant
Laura Grant
Wagon Station Customizers
Hal McFeely
Russell Whitten
Michael Stewart
A Painting
Joey Kötting
Artificial Utility Box and Artificial Transformer
Mark Klassen
Holy Mountain
Marie Lorenz
LANDSCAPE INCARCERATION
Shannon Ebner
S 0° 33' 36" W
Allen Compton
HDTS 3 Catalogue
Lisa Anne Auerbach
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